Mixing Room (surround/stereo stems)

Mixing Room (surround/stereo stems)

Shadow Hills Mastering Compressor (stereo tube compressor and a stereo discrete compressor in a serial configuration.)

Shadow Hills Mastering Compressor (stereo tube compressor and a stereo discrete compressor in a serial configuration.)

Sitting lounge to discuss project / spotting session.

Sitting lounge to discuss project / spotting session.

My Composing Suite is bright and cheery - wide open.   The design of the room and Acoustics are to enable me to work long hours without physical or hearing fatigue.

My Composing Suite is bright and cheery - wide open. The design of the room and Acoustics are to enable me to work long hours without physical or hearing fatigue.

Another view of the sitting lounge where project is discussed / film/video 'spotted' (decide where music should be and for what intent.)

Another view of the sitting lounge where project is discussed / film/video 'spotted' (decide where music should be and for what intent.)

The Producer's Table directly behind me is for clients to sit slightly elevated so their view of the film (on 70" UHD TV monitor) is unobstructed.

The Producer's Table directly behind me is for clients to sit slightly elevated so their view of the film (on 70" UHD TV monitor) is unobstructed.

Most clients ask me 'where did you get that IBM continuous sweeping second hand clock' - I found that from a company in the Northwest - School House Electric. (it is a perfect recreation of the clocks that were in my school rooms growing up in Detroit.)  It keeps perfect time.

Most clients ask me 'where did you get that IBM continuous sweeping second hand clock' - I found that from a company in the Northwest - School House Electric. (it is a perfect recreation of the clocks that were in my school rooms growing up in Detroit.) It keeps perfect time.

I record my live Instrumentalists / vocalists here.   Richard Lenz (RealAcoustix), designed this space to be a perfect balance of diffusion and absorptive acoustics for such a task.  The space is meant to have the person(s) record directly on the Zebra rug.

I record my live Instrumentalists / vocalists here. Richard Lenz (RealAcoustix), designed this space to be a perfect balance of diffusion and absorptive acoustics for such a task. The space is meant to have the person(s) record directly on the Zebra rug.